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Listings are
in the opposite order of appearance: headliner is listed at the top,
next is the support band(s),
and the last band listed is the opener.
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Friday December 13
2024 8:00PM doors -- music at 8:30PM ••• ALL AGES $15 Wishy instagram.com/wishy_music_777 shoegazey dream-pop Joyer joyer.band indie rock shoegaze TBA ... Wishy -from Indianapolis, IN -You could call Wishy’s story a lucky one. After prior monikers and iterations, Wishy was born as a kaleidoscope of alternative music’s semi-recent history, with traces of shoegaze, grunge and power-pop swirling together. On Triple Seven, Indiana songwriters Kevin Krauter and Nina Pitchkites’ musical synergy proves itself to be a rare one–the kind that sounds like someone striking gold. Part sly wink and part warm gratitude, it’s only fitting their much anticipated full length debut is titled Triple Seven. The album is a loose web of vignettes and snapshots, capturing Krauter and Pitchkites in a whirlwind couple of years — exiting the pandemic, embarking on an embryonic project, making sense of their musical pasts while forging a musical future alongside one another, each of them on a journey of self-acceptance and self-understanding. Sometimes gorgeous, sometimes festering, and always cathartic, Triple Seven is a vibrant and exhilarating document of self-discovery with the scope and heft of the bygone big-budget rock albums that inspired it. Triple Seven arrives August 16th 2024 via Winspear. Joyer -from New York, NY -Nighttime changes people. Self-destructive behaviors are more tempting without the judgment of the daytime glow. But night also provides a peaceful, meditative setting for creativity to run wild—a haven to escape one’s day-to-day malaise. Joyer, the Brooklyn-and-Boston-based band of multi-instrumentalist brothers Nick and Shane Sullivan, are fascinated by these after-dark hours. Their latest album, Night Songs, examines the allure of night and its ability to shapeshift from a mirror for our innermost demons to a shield from the demands of daily drudgery. Night Songs marks a departure from their hushed slowcore beginnings and displays a more expansive sound—from blowtorched shoegaze guitars and poppier vocals to melancholy synths and pastoral lap steel. Fittingly, their detour into twistier, heavier territory coincides with the depraved nature of nighttime activities, and their foray into a more hi-fi, pop-forward direction aligns with the stark clarity that pitch-black skies provide. TBA - - |
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