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BOTTOM OF THE HILL SOUND EQUIPMENT AS OF MARCH 2013 APRIL 2011: DBX 266 (not DBX 166); BETA-58  FOH/MONITOR
MIXING CONSOLE1- Yamaha PM3000C-40 (40 channels, 8 AUX, 8 subgroups, 8 VCAs, 8 matrix outputs) 2- PW3000A Console Power Supplies SYSTEM PROCESSORS: 1- Aphex "Dominator” limiter for FOH L/R protection 1- ASHLY 24.24M digital crossover/EQ/Limiter with PROTEA software DYNAMICS PROCESSORS RACKS: 1- APHEX “Model 108/Easyrider” stereo/dual-mono compressor 1- ASHLY “CL52e” stereo/dual-mono compressor 1- ASHLY “SG33” 2 channel noise gate 1- ASHLY “SG35” 4 channel noise gate 2- DBX "166" stereo/dual-mono compressor 1- DRAWMER “DL241” stereo/dual-mono compressor w/ gate 2- SYMETRIX “Model 501” mono compressor w/ limiter REVERBS/DELAYS/EFFECTS: 1- ROLAND “SDE-1000” digital delay 1- SONY “REV-500” digital reverb 1- T.C. ELECTRONIC”M-One” dual engine effects processor FOH EQUALIZERS: 2- UREI “Model 539” 1/3 octave equalizers (cut only) for house Left / Right MONITOR EQUALIZERS: 4- TOA “E-1231” 1/3 octave equalizers for monitor mixes 1 - 4 1- TOA “E-232” dual 2/3 octave equalizers for auxiliary mixes 5 - 6 FOH SPEAKERS : 2- EAW Bi-amped Speakers ASR695 (1 x 15”, 1 x 10”, 1 x 4”horn) 15" low/mid speakers powered by Crest 7001 amplifiers (560 watts @ 8 Ohms) 10" + 1.4" mid/high speakers powered by Crest 4801 amplifier (300 watts @ 8 Ohms) 2- Community Subwoofers (4 x 15" each cabinet) Powered by Crown Macro-Tech VZ amplifier (1090 watts @ 8 Ohms) STAGE MONITORS: 2- EAW JFX-560 (center stage monitors) Powered by Crest 7001 amplifiers (560 watts @ 8 Ohms) 2- JBL MRX-512-M (stage-left and stage-right monitors) Powered by Crest 7001 amplifiers (560 watts @ 8 Ohms) 1- JBL MRX-512-M w/ EAW SB-150 subwoofer (drum monitor) Powered by Crest 7001 amplifiers (560 watts @ 8 Ohms) MICROPHONE INVENTORY: 2- AKG C-535eb (great all purpose condenser mic) 1- AKG D-112 1- AUDIO TECHNICA ATM-25 (great for kick or floor toms) 2- AUDIO TECHNICA ATM-23-HE (great for snare, percussion, and small toms) 2- AUDIO TECHNICA Pro-25 (good for toms or bass cabinets) 4- AUDIX D-2 (good for toms & percussion) 1- AUDIX i5 (a great snare mic alternative to a SM57) 3- AUDIX OM-6 (nice for vocals & horns) 1- CAD Audio ICM417 condenser 1- SHURE Beta-52 (good kick drum mic) 6- SHURE SM-57 14- SHURE SM-58 *All SM-58 windscreens are typically removed and thoroughly cleaned each week! DIRECT BOXES: 4- COUNTRYMAN “Type 85” active direct boxes 1- RADIAL JPC Stereo iPod/laptop active DI 4- RADIAL “Pro DI” passive direct boxes 1- RADIAL “Pro D2” stereo version of the ProDI direct box 1- WHIRLWIND “Director” passive DI 1- EBTECH “Hum Eliminator” (1:1 isolation transformer with 1/4” In/Out) MISCELLANEOUS: The Bottom of the Hill stage inventory also includes: dozens of microphone cables ranging from 5 - 30 feet in length, 4 LP “claws” and 2 Audix "D-Vice" drum mic clamps, 3 “Z-Bar” microphone holders for amplifier mics, two 12 pound sandbags, and an assortment of various microphone stands (all ATLAS or K&M). STAGE PLOT / DIAGRAM  RECORDING STUDIO: Due to the fire on Monday April 28th. 2003, our recording studio is not available.  |
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