 |
|
| Technical
Specifications
• Studio
|
|
BOTTOM OF THE HILL
SOUND
EQUIPMENT as of
APRIL
2011: DBX 266 (not DBX 166); BETA-58
 FOH/MONITOR
MIXING CONSOLE
1- Yamaha PM3500
(44 channels,
8 AUX, 8 subgroups, 8 VCAs, 8 matrix outputs)
2- PW4000 Console Power Supplies
SYSTEM
PROCESSORS:
1- Aphex "Dominator” limiter for FOH L/R
protection
1- ASHLY 24.24M digital
crossover/EQ/Limiter with PROTEA software
DYNAMICS
PROCESSORS RACKS:
1- APHEX “Model 108/Easyrider”
stereo/dual-mono compressor
1- ASHLY “CL52e” stereo/dual-mono compressor
1- ASHLY “SG33” 2 channel noise gate
1- ASHLY “SG35” 4 channel noise gate
2- DBX "166" stereo/dual-mono compressor
1-
DRAWMER “DL241” stereo/dual-mono compressor w/ gate
2- SYMETRIX “Model 501” mono compressor w/ limiter
REVERBS/DELAYS/EFFECTS:
1- ROLAND “SDE-1000” digital delay
1- SONY “REV-500” digital reverb
1- T.C. ELECTRONIC”M-One” dual engine effects processor
FOH
EQUALIZERS:
2- UREI “Model 539” 1/3 octave equalizers (cut
only) for house Left / Right
MONITOR
EQUALIZERS:
4- TOA “E-1231” 1/3 octave equalizers for monitor mixes 1 - 4
1- TOA “E-232” dual 2/3 octave equalizers for auxiliary mixes 5 - 6
FOH
SPEAKERS :
2- EAW Bi-amped Speakers ASR695 (1 x 15”, 1 x
10”, 1 x 4”horn)
15" low/mid speakers powered
by Crest 7001 amplifiers (560 watts @ 8 Ohms)
10" + 1.4" mid/high speakers
powered by Crest 4801 amplifier (300 watts @ 8 Ohms)
2- Community Subwoofers (4 x 15" each cabinet)
Powered by Crown Macro-Tech VZ amplifier (1090 watts @ 8 Ohms)
STAGE
MONITORS:
2- EAW JFX-560 (center stage monitors)
Powered by Crest 7001 amplifiers (560 watts @ 8 Ohms)
2- JBL MRX-512-M (stage-left and stage-right monitors)
Powered by Crest 7001 amplifiers (560 watts @ 8 Ohms)
1- JBL MRX-512-M w/ EAW SB-150 subwoofer (drum monitor)
Powered by Crest 7001 amplifiers (560 watts @ 8 Ohms)
MICROPHONE
INVENTORY:
2- AKG C-535eb (great all purpose condenser mic)
1- AKG D-112
1- AUDIO TECHNICA ATM-25 (great for kick or floor toms)
2-
AUDIO TECHNICA ATM-23-HE (great for snare, percussion, and small toms)
2- AUDIO TECHNICA Pro-25 (good for toms or bass cabinets)
4- AUDIX D-2 (good for toms & percussion)
1- AUDIX i5 (a great snare mic alternative to a SM57)
3- AUDIX OM-6 (nice for vocals & horns)
1- CAD Audio ICM417 condenser
1- SHURE Beta-52 (good kick drum mic)
6-
SHURE SM-57
14- SHURE SM-58
*All SM-58 windscreens are typically
removed and thoroughly cleaned each week!
DIRECT
BOXES:
4- COUNTRYMAN “Type 85” active direct boxes
1- RADIAL JPC Stereo iPod/laptop active DI
4- RADIAL “Pro DI” passive direct boxes
1- RADIAL “Pro D2” stereo version of the ProDI direct box
1- WHIRLWIND “Director” passive DI
1- EBTECH “Hum Eliminator” (1:1 isolation transformer with 1/4” In/Out)
DJ EQUIPMENT (installed in the FOH booth) :
2- TECHNICS 1200 turntables
1- RANE TTM-56S mixer
MISCELLANEOUS:
The
Bottom of the Hill stage inventory also includes:
dozens of
microphone cables ranging from 5 - 30 feet in length,
4 LP “claws” and
2 Audix "D-Vice" drum mic clamps,
3 “Z-Bar” microphone holders for amplifier mics,
two 12 pound sandbags,
and an assortment of various microphone stands
(all ATLAS or K&M).
STAGE
PLOT / DIAGRAM
RECORDING
STUDIO:
Due
to the fire on Monday April 28th. 2003, our recording studio is not
available.
|
|
