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 Technical Specifications          •         Studio

BOTTOM OF THE HILL SOUND EQUIPMENT AS OF MARCH 2013
 APRIL 2011: DBX 266 (not DBX 166); BETA-58



FOH/MONITOR MIXING CONSOLE

1- Yamaha PM3000C-40
    (40 channels, 8 AUX, 8 subgroups, 8 VCAs, 8 matrix outputs)

2- PW3000A Console Power Supplies


SYSTEM PROCESSORS:

1- Aphex "Dominator” limiter for FOH L/R protection
1-
ASHLY 24.24M digital crossover/EQ/Limiter with PROTEA software


DYNAMICS PROCESSORS RACKS:

1- APHEX “Model 108/Easyrider” stereo/dual-mono compressor
1- ASHLY “CL52e” stereo/dual-mono compressor

1- ASHLY “SG33” 2 channel noise gate

1- ASHLY “SG35” 4 channel noise gate
2- DBX "166" stereo/dual-mono compressor
1- DRAWMER “DL241” stereo/dual-mono compressor w/ gate
2- SYMETRIX “Model 501” mono compressor w/ limiter


REVERBS/DELAYS/EFFECTS:

1- ROLAND “SDE-1000” digital delay
1- SONY “REV-500” digital reverb
1- T.C. ELECTRONIC”M-One” dual engine effects processor


FOH EQUALIZERS:

2- UREI “Model 539” 1/3 octave equalizers (cut only) for house Left / Right


MONITOR EQUALIZERS:

4- TOA “E-1231” 1/3 octave equalizers for monitor mixes 1 - 4
1- TOA “E-232” dual 2/3 octave equalizers for auxiliary mixes 5 - 6


FOH SPEAKERS :

2- EAW Bi-amped Speakers ASR695 (1 x 15”, 1 x 10”, 1 x 4”horn)
     15" low/mid speakers powered by Crest 7001 amplifiers (560 watts @ 8 Ohms)

     10" + 1.4" mid/high speakers powered by Crest 4801 amplifier (300 watts @ 8 Ohms)


2- Community Subwoofers (4 x 15" each cabinet)
            Powered by Crown Macro-Tech VZ amplifier (1090 watts @ 8 Ohms)



STAGE MONITORS:

2- EAW JFX-560 (center stage monitors)
            Powered by Crest 7001 amplifiers (560 watts @ 8 Ohms)

2- JBL MRX-512-M (stage-left and stage-right monitors)
             Powered by Crest 7001 amplifiers (560 watts @ 8 Ohms)

1- JBL MRX-512-M w/ EAW SB-150 subwoofer (drum monitor)
             Powered by Crest 7001 amplifiers (560 watts @ 8 Ohms)



MICROPHONE INVENTORY:

  2- AKG C-535eb (great all purpose condenser mic)
  1- AKG D-112
  1- AUDIO TECHNICA ATM-25 (great for kick or floor toms)
  2- AUDIO TECHNICA ATM-23-HE (great for snare, percussion, and small toms)
  2- AUDIO TECHNICA Pro-25 (good for toms or bass cabinets)
  4- AUDIX D-2 (good for toms & percussion)
  1- AUDIX i5 (a great snare mic alternative to a SM57)
  3- AUDIX OM-6 (nice for vocals & horns)
  1- CAD Audio ICM417 condenser
  1- SHURE Beta-52 (good kick drum mic)

  6- SHURE SM-57
14- SHURE SM-58

   *All SM-58 windscreens are typically removed and thoroughly cleaned each week!


DIRECT BOXES:

4- COUNTRYMAN “Type 85” active direct boxes
1- RADIAL JPC Stereo iPod/laptop active DI
4- RADIAL “Pro DI” passive direct boxes
1- RADIAL “Pro D2” stereo version of the ProDI direct box
1- WHIRLWIND “Director” passive DI
1- EBTECH “Hum Eliminator” (1:1 isolation transformer with 1/4” In/Out)

 
MISCELLANEOUS:

The Bottom of the Hill stage inventory also includes:
 dozens of microphone cables ranging from 5 - 30 feet in length,
 4 LP “claws” and 2 Audix "D-Vice" drum mic clamps,
 3 “Z-Bar” microphone holders for amplifier mics,
 two 12 pound sandbags,
 and an assortment of various microphone stands (all ATLAS or K&M).


 
STAGE PLOT / DIAGRAM





RECORDING STUDIO:

Due to the fire on Monday April 28th. 2003, our recording studio is not available.

 

Copyright • Bottom Of The Hill Inc. [judas bosch] [ judas bosch]