http://www.bottomofthehill.com         http://www.facebook.com/bottomofthehill https://instagram.com/bottomofthehillsf/ feed://www.bottomofthehill.com/RSS.xml
CALENDAR CLUB INFO BOOKING SCRAPBOOK HIGHLIGHTS

click on month for monthly picture calendar 
 http://www.bottomofthehill.com/iC202607.html  http://www.bottomofthehill.com/iC202608.html  http://www.bottomofthehill.com/iC202609.html  http://www.bottomofthehill.com/iC202610.html  http://www.bottomofthehill.com/iC202611.html  http://www.bottomofthehill.com/iC202612.html  

Listings are in the opposite order of appearance: headliner is listed at the top, next is the support band(s), and the last band listed is the opener.








BUY TICKETS ONLINE
>>back to listings calendar
>> back to picture calendar
Tuesday August 11 2026
 7:30PM doors -- music at 8:00PM
  •••  ALL AGES
$15 in advance / $18 at the door
$19.81 in advance [15 face value +4.81 service fee]
Qualia 
qualia-is-real.com
 progressive death soul rock
Cave Clove 
caveclove.com
 folk rock, psych folk
See Night (solo) 
seenightmusic.com/about
 poppy indie-rock, shoegaze


Qualia
- from Bend, IN
-Qualia is the auditory outfit spearheaded by Alison Niedbalski. Born in Alabama and raised in the South (Bend, IN), her devotion to music became apparent early on by the hours she spent spinning records, playing classical piano, and arguing with other children who "loved" the Beatles but had never heard of Harry Nilsson.

After coming of age in the Chicago scene, she moved West to teach philosophy and found herself forming a band.
Bear witness the unique brand of progressive death soul brought to you by this group of envelope pushers.




Cave Clove
-from Oakland, CA
-Cave Clove is a 4-piece rock band based in Oakland, CA. The band’s sound is timeless and all their own as they seamlessly combine their shared love of 70’s and 90’s singer-songwriters with progressive rock. They are known for their robust melodies, hooks, arrangements and for their reliably soulful performances. Fronted by songwriter/vocalist Katie Colver, the past 6 years have been a collaboration between Colver, lead guitarist Brent Curriden, and bassist Alisa Saario. They were joined by drummer Harrison Murphy for their 2019 tour dates and for the making of their upcoming full-length album The Muscle and the Meaning (Spring 2022), which is undoubtedly the band’s most realized and compelling batch of songs to date.

In many ways, The Muscle and the Meaning, the band’s follow up to 2019’s Dollars to Tokens EP, is like the flip-side of the same coin. Described by Glide Magazine as a collection of “psych-rock infused anthemic stunners brimming with electrifying guitars and a West Coast Americana songwriting sensibility,” Dollars to Tokens centered around the sacrifices that Colver was making to follow her dreams and her prioritization of art and adventure over health and stability. She described the EP as being about “the dance between self-sabotage and self-actualization.” The Muscle and the Meaning is about this same dance, but focuses more on the introspective process of recovery and healing. The “muscle” in this case refers to the daily grind of deciding how to be in relationship with one’s body, past, goals, and interpersonal connections. The “meaning” is found both in and after the muscling through each day while striving to live more authentically. “Great meaning can emerge from this type of work, but you have to do the dirty work first, and that’s why it’s the muscle and the meaning and not the other way around,” Colver explains.

The album’s sonic landscape and lyrics all reflect this push and pull of the recovery process, cycling between intimate, sparse, and sacred moments and deeply layered swells of passion and desperation. The live, organic instrumentation gives it a retro feel, but the themes are timeless as recovery journeys are always relevant, whether in a personal or societal context.

“New Secret” is a song about holding both the despair that comes from keeping secrets as well as acceptance of oneself despite one’s regrets. “I’ll wait for my time, but I’m not standing on the side. I’ll stand inside the void” Colver affirms, referring to a sense of trust that healing will occur in time, but acknowledging that she must continue to be present with the struggle, even though the outcome and is unknown. Dire Straits-esque guitar riffs and up-close-and-personal vocals that evoke the style of Stevie Nicks and Natalie Merchant give the song a driving-yet-groovy feeling. The song leaves the listener with the sense that everything will be alright even though it may presently feel like a mess.

The album spans a spectrum of moods and attitudes, like a day in the life of anyone in recovery. Colver wrote “Test of the Season” in a moment of inspiration and deep yearning to be in better integrity with her values. “Obsidian”, on the other hand, was written at a low point for Colver in which she felt resolved to live a life of self-sabotage. The Muscle and the Meaning is essentially a collection of conversations between true self and personality. “On Witches Brew,” for example, is written from the perspective of Colver’s essence giving a pep talk to her ego.

“Go Big,” the surfy, playful final track of the album, conveys opposing sentiments toward the object of one’s addiction, be it a substance, a pattern, or a person. In the first verse, Colver describes the times when cravings are high but she is able to power through and abstain: “I wanted you, I stood by you, you were ready for me, but I wouldn’t have you.” The second verse, on the other hand, is about still wanting something or someone even when it is very clear that it is not good for you: “I battled you, I hated you, you mortified me, but all I wanted was you.”

Although the album contains a diverse range of emotions and messages, it is highly accessible and leaves room for the listener to experience the music on their own terms. If what you need is to cry, it will make you cry and if what you need is to dance, it will make you dance. The Muscle and the Meaning is a celebration of human resilience, of caring for oneself even in the darkest of moments, and the light at the end of the tunnel after a long journey toward healing and acceptance.

Cave Clove looks forward to emerging from their pandemic caves. Following the release of the album, they plan to tour in both the U.S. and European in 2022.

Vocals & Guitar / Katie Colver
Drums / Harrison Murphy
Guitar / Brent Curriden
Bass / Alisa Saario



See Night (solo)
-from Los Angeles, CA
-Included in Bob Boilen's “Favorite Discoveries of 2025,” See Night is the indie-rock project of Los Angeles-based singer-songwriter Linda Sao. Touring solo or with band, See Night brings a dynamic live show that alternates between hard-driving and dreamy. Cathartic songs delivered with haunting vocals, swelling drums, and atmospheric guitars straddle somewhere between ‘90s indie rock and shoegaze. After the release of the Eloquence 7", which was personally handpicked and released by Pavement/Silver Jews member Bob Nastanovich for his Brokers Tip Records, and two self-released EPs, 2025 saw the release of Just Another Life--a debut album playlisted by KCRW and featuring fuzzy-guitar-laden indie rock, orchestral shoegaze, and piano instrumentals. Nastanovich called it "glorious" and Boilen, creator of NPR's Tiny Desk Concerts and All Songs Considered, described it as “the album I'm loving." Owner/booker of San Francisco's legendary Bottom of the Hill, Lynn Schwarz said, “The songwriting is really next level.”

Through stateside band tours and five EU/UK solo tours, See Night has opened for Bonnie Prince Billy, Widowspeak, The Pack a.d., Delicate Steve, Matthew Logan Vasquez (Delta Spirit), Lady Lamb, Lala Lala, Sunwatchers, Eyelids, Jeffrey Lewis, Kepi Ghoulie, Jenn Champion, Rogue Wave, Upset (Patty Schemel), John Vanderslice, David Dondero, and more.