|
|
|
|
|
 |
 |
 |
 |
 |
|
|
|
Listings are
in the opposite order of appearance: headliner is listed at the top,
next is the support band(s),
and the last band listed is the opener.
|
 |
|
|
|
|
Friday September 18
2026
7:30PM doors -- music at 8:30PM ••• 21 AND OVER $35 in advance / $40 at the door $41.81 in advance [35 face value +6.81 service fee] Steel Pole Bath Tub facebook.com/p/Steel-Pole-Bath-Tub garage punk shoegaze Ovarian Trolley goldenrodrecords.bandcamp.com/album psych-punk Wife instagram.com/wife.c0m noise-rock post-hardcore Steel Pole Bath Tub -from Bozeman, MT -Enigmatic noise rock trio Steel Pole Bath Tub crafted a grungy, droning, offbeat sound from a palette of fuzzed-out bass riffs, blasts of guitar feedback, and tape loops, plus a raft of alternately kitschy and disturbing dialogue samples from vintage TV shows and movies. Additionally, the band had a penchant for deconstructive covers of rock classics, some of which appeared only on 7" singles. Critics were split on the effectiveness of their often repetitive compositions, with some praising their originality and others bemoaning a lack of consistent songwriting polish. A highly unlikely bet for commercial success, Steel Pole Bath Tub nonetheless managed to score a major-label contract (albeit briefly) during the alternative rock feeding frenzy of the mid-'90s. Steel Pole Bath Tub was founded in Bozeman, MT, in 1986 by guitarist/vocalist Mike Morasky and bassist/vocalist Dale Flattum. After moving to Seattle, they joined up with drummer Dorothy Kent, a veteran of the local early-'80s hardcore band Mr. Epp (which featured future members of Green River and Mudhoney). Taking their name from a feature in a true-crime magazine (a Clue-type combination of murder weapon and location), the trio relocated once again, this time to San Francisco. Steel Pole Bath Tub landed a deal with the Bay Area indie label Boner, which was also home to the Melvins in their pre-Atlantic days. The band's debut album, Butterfly Love, appeared in 1989, and was followed in 1990 by the Lurch EP (both were later combined on a CD issue). These early releases established the band's fascination with pop-culture references and TV dialogue snippets, and led to several Bay Area side projects: Morasky teamed with Boner label head Tom Flynn in Duh (aka Death's Ugly Head), and the whole group worked with Jello Biafra under the name Tumor Circus. Fans and critics tended to agree that Steel Pole Bath Tub really began to hit their stride on 1991's Tulip and its follow-up, 1993's The Miracle of Sound in Motion. During the same period, Morasky and Flattum teamed up (under the aliases C.C. Nova and Bumblebee) in an electronics-oriented side project called Milk Cult, which gave their interest in sampling a whole new outlet. 1994 brought a new Steel Pole Bath Tub EP, Some Cocktail Suggestions, which would prove to be their final work for Boner. Slash Records -- at the time a subsidiary of Warner, though they would shortly switch affiliations to London -- offered the band a major-label contract, perhaps swayed by similar jumps from Steel Pole influences the Butthole Surfers and labelmates the Melvins. Steel Pole Bath Tub's major-label debut, Scars from Falling Down, was released in 1995. Due to copyright concerns, their trademark dialogue samples had to be held in check, which placed more focus on the band's music itself. In 1996, they set about recording a follow-up, initially hoping to cover the Cars' debut album in its entirety. Slash, unimpressed with the postmodern prank and the demos of new material that accompanied three Cars covers, promptly dropped the band from its roster. Caught in limbo, Steel Pole Bath Tub gradually drifted into oblivion. The bandmembers remained active, though -- in 1997, Milk Cult received a grant from the French government to join an artists' collective in Marseilles, where they recorded an album that would be released in 2000 as Project M-13. Morasky subsequently went to New Zealand as a special effects technician on Peter Jackson's Lord of the Rings trilogy, while Flattum retired to North Carolina to pursue the visual arts while working for a software company. Morasky (now calling himself Agent Nova) and Kent reunited as Novex in 2002, pursuing a style similar to Milk Cult on their debut, Kleptophonica. Meanwhile, Steel Pole Bath Tub finally recovered the rights to their lost major-label follow-up, and issued the material in 2002 on the 0 to 1 label as Unlistenable (the title a quote from Slash executives' response to the tapes). The group briefly reunited that year to perform at the Beyond the Pale festival. All remained quiet until 2023 when the band issued Skull Tapes -- a collection of their earliest recordings as a trio -- and played a reunion show in Texas with Noah Landis of the band Neurosis sitting in. They played a one-off show in the San Francisco area in 2024. -by Steve Huey Ovarian Trolley -from San Francisco, CA -Ovarian Trolley released three albums of fractured, intense noise rock in the 1990s. Comprised of sisters Laurie and Jennifer Hall and Buck Bito, the band was praised for their “scraggly electric ugliness” in Trouser Press. The band’s intertwined voices, focused structures, and visceral slashes of sound construct a momentous, transfixing funhouse of sound. Throughout their existence, Ovarian Trolley acted as the high-tension heartbeat of San Francisco’s creative underground, a hook-filled articulation of the dire, anarchic, and sublime possibilities of life in the city’s margins. The band found a kindred spirit, also concerned with the possibilities at the margins, in Margaret Kilgallen, who created the cover art for their final single, Romeo, released in 1997. Since disbanding in 1998, Ovarian Trolley has reconvened only a handful of times, each one reiterating the gleeful challenge of music, the vitality of collaboration and the force of shared outrage. Wife -from San Francisco, CA -Wife is a San Francisco band formed in 2021, rooted in San Francisco’s DIY music scene. Their music—a desperate, dramatic punk jitter full of howl and laughter and breath-stealing jolts—draws on the memories built through house shows in the Sunset, volunteer shifts at Adobe Books, and the collective happenings of Outhouse. In the band’s own words, “We like to have fun, and emphasize play and weirdness!” This performance coincides with the release of Wife’s album The Importance of Daydreaming, released on vinyl by Recess Records and on cassette by Cherub Dream Records. |
 |